{"id":180,"date":"2021-12-12T18:25:44","date_gmt":"2021-12-12T18:25:44","guid":{"rendered":"https:\/\/muresan.galhosting.com\/?page_id=180"},"modified":"2022-04-12T20:42:24","modified_gmt":"2022-04-12T20:42:24","slug":"pamantul","status":"publish","type":"page","link":"https:\/\/muresan.galhosting.com\/en\/opera\/pictura\/pamantul\/","title":{"rendered":"1981-1982: The Earth"},"content":{"rendered":"<div data-elementor-type=\"wp-page\" data-elementor-id=\"180\" class=\"elementor elementor-180\">\n\t\t\t\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-e1cf391 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"e1cf391\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-6fedc0f\" data-id=\"6fedc0f\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-a57bbe5 elementor-widget elementor-widget-shortcode\" data-id=\"a57bbe5\" data-element_type=\"widget\" data-widget_type=\"shortcode.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-shortcode\"><div class=\"aioseo-breadcrumbs\"><span class=\"aioseo-breadcrumb\">\n\tHome\n<\/span><\/div><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-94a128b elementor-widget elementor-widget-spacer\" data-id=\"94a128b\" data-element_type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.6.2 - 04-04-2022 *\/\n.e-container.e-container--row .elementor-spacer-inner{width:var(--spacer-size)}.e-container.e-container--column .elementor-spacer-inner,.elementor-column .elementor-spacer-inner{height:var(--spacer-size)}<\/style>\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-2123864 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"2123864\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-f3501b7\" data-id=\"f3501b7\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-d2121e2 elementor-widget elementor-widget-text-editor\" data-id=\"d2121e2\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.6.2 - 04-04-2022 *\/\n.elementor-widget-text-editor.elementor-drop-cap-view-stacked .elementor-drop-cap{background-color:#818a91;color:#fff}.elementor-widget-text-editor.elementor-drop-cap-view-framed .elementor-drop-cap{color:#818a91;border:3px solid;background-color:transparent}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap{margin-top:8px}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap-letter{width:1em;height:1em}.elementor-widget-text-editor .elementor-drop-cap{float:left;text-align:center;line-height:1;font-size:50px}.elementor-widget-text-editor .elementor-drop-cap-letter{display:inline-block}<\/style>\t\t\t\t<p>\u201dFrom the older series of \u201eMasks\u201d to the more recent one of \u201eEarths\u201d, Ioan Aurel Mure\u0219an is the compelling proof of an evolution that demonstrates not only the graduation of the informal course, with all its illimitations and limitations, but also a personal solution for its eventual surmounting\u201d. (see below)<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-c4ed622 elementor-widget elementor-widget-image-gallery\" data-id=\"c4ed622\" data-element_type=\"widget\" data-widget_type=\"image-gallery.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.6.2 - 04-04-2022 *\/\n.elementor-image-gallery .gallery-item{display:inline-block;text-align:center;vertical-align:top;width:100%;max-width:100%;margin:0 auto}.elementor-image-gallery .gallery-item img{margin:0 auto}.elementor-image-gallery .gallery-item .gallery-caption{margin:0}.elementor-image-gallery figure img{display:block}.elementor-image-gallery figure figcaption{width:100%}.gallery-spacing-custom .elementor-image-gallery .gallery-icon{padding:0}@media (min-width:768px){.elementor-image-gallery .gallery-columns-2 .gallery-item{max-width:50%}.elementor-image-gallery .gallery-columns-3 .gallery-item{max-width:33.33%}.elementor-image-gallery .gallery-columns-4 .gallery-item{max-width:25%}.elementor-image-gallery .gallery-columns-5 .gallery-item{max-width:20%}.elementor-image-gallery .gallery-columns-6 .gallery-item{max-width:16.666%}.elementor-image-gallery .gallery-columns-7 .gallery-item{max-width:14.28%}.elementor-image-gallery .gallery-columns-8 .gallery-item{max-width:12.5%}.elementor-image-gallery .gallery-columns-9 .gallery-item{max-width:11.11%}.elementor-image-gallery .gallery-columns-10 .gallery-item{max-width:10%}}@media (min-width:480px) and (max-width:767px){.elementor-image-gallery .gallery.gallery-columns-2 .gallery-item,.elementor-image-gallery .gallery.gallery-columns-3 .gallery-item,.elementor-image-gallery .gallery.gallery-columns-4 .gallery-item,.elementor-image-gallery .gallery.gallery-columns-5 .gallery-item,.elementor-image-gallery .gallery.gallery-columns-6 .gallery-item,.elementor-image-gallery .gallery.gallery-columns-7 .gallery-item,.elementor-image-gallery .gallery.gallery-columns-8 .gallery-item,.elementor-image-gallery .gallery.gallery-columns-9 .gallery-item,.elementor-image-gallery .gallery.gallery-columns-10 .gallery-item{max-width:50%}}@media (max-width:479px){.elementor-image-gallery .gallery.gallery-columns-2 .gallery-item,.elementor-image-gallery .gallery.gallery-columns-3 .gallery-item,.elementor-image-gallery .gallery.gallery-columns-4 .gallery-item,.elementor-image-gallery .gallery.gallery-columns-5 .gallery-item,.elementor-image-gallery .gallery.gallery-columns-6 .gallery-item,.elementor-image-gallery .gallery.gallery-columns-7 .gallery-item,.elementor-image-gallery .gallery.gallery-columns-8 .gallery-item,.elementor-image-gallery .gallery.gallery-columns-9 .gallery-item,.elementor-image-gallery .gallery.gallery-columns-10 .gallery-item{max-width:100%}}<\/style>\t\t<div class=\"elementor-image-gallery\">\n\t\t\t\n\t\t<style type=\"text\/css\">\n\t\t\t#gallery-1 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 25%;\n\t\t\t}\n\t\t\t#gallery-1 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-1' class='gallery galleryid-180 gallery-columns-4 gallery-size-shop_catalog'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"c4ed622\" data-elementor-lightbox-title=\"\u00cent\u00e2lnirea din p\u0103m\u00e2nturi, cca 1981, tehnic\u0103 mixt\u0103, 80 x 140cm, Muzeul \u021a\u0103rii Cri\u0219urilor (9520), semnat dreapta jos \u201dMIA\u201d, nedatat, foto Popu\u021b\" 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https:\/\/muresan.galhosting.com\/wp-content\/uploads\/2022\/04\/Seria-Pamantul-1982-ulei-pe-panza-h.112-x-112-cm-semnat-datat-dreapta-jos-MIA-82-Foto-Poput-12x12.jpg 12w, https:\/\/muresan.galhosting.com\/wp-content\/uploads\/2022\/04\/Seria-Pamantul-1982-ulei-pe-panza-h.112-x-112-cm-semnat-datat-dreapta-jos-MIA-82-Foto-Poput-600x602.jpg 600w, https:\/\/muresan.galhosting.com\/wp-content\/uploads\/2022\/04\/Seria-Pamantul-1982-ulei-pe-panza-h.112-x-112-cm-semnat-datat-dreapta-jos-MIA-82-Foto-Poput-100x100.jpg 100w, https:\/\/muresan.galhosting.com\/wp-content\/uploads\/2022\/04\/Seria-Pamantul-1982-ulei-pe-panza-h.112-x-112-cm-semnat-datat-dreapta-jos-MIA-82-Foto-Poput.jpg 2042w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"c4ed622\" data-elementor-lightbox-title=\"Mure\u0219an Ioan, Compozi\u021bie (peisaj p\u0103m\u00e2nt), Muzeul \u021a\u0103rii Cri\u0219urilor, cca 1981-1982\" e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MTAyMjYsInVybCI6Imh0dHBzOlwvXC9tdXJlc2FuLmdhbGhvc3RpbmcuY29tXC93cC1jb250ZW50XC91cGxvYWRzXC8yMDIyXC8wNFwvTXVyZXNhbi1Jb2FuLUNvbXBveml0aWUtcGVpc2FqLXBhbWFudC1NdXpldWwtVGFyaWktQ3Jpc3VyaWxvci1jY2EtMTk4MS0xOTgyLXNjYWxlZC5qcGciLCJzbGlkZXNob3ciOiJjNGVkNjIyIn0%3D\" href='https:\/\/muresan.galhosting.com\/wp-content\/uploads\/2022\/04\/Muresan-Ioan-Compozitie-peisaj-pamant-Muzeul-Tarii-Crisurilor-cca-1981-1982-scaled.jpg'><img width=\"300\" height=\"300\" src=\"https:\/\/muresan.galhosting.com\/wp-content\/uploads\/2022\/04\/Muresan-Ioan-Compozitie-peisaj-pamant-Muzeul-Tarii-Crisurilor-cca-1981-1982-300x300.jpg\" class=\"attachment-shop_catalog size-shop_catalog\" alt=\"\" loading=\"lazy\" srcset=\"https:\/\/muresan.galhosting.com\/wp-content\/uploads\/2022\/04\/Muresan-Ioan-Compozitie-peisaj-pamant-Muzeul-Tarii-Crisurilor-cca-1981-1982-300x300.jpg 300w, https:\/\/muresan.galhosting.com\/wp-content\/uploads\/2022\/04\/Muresan-Ioan-Compozitie-peisaj-pamant-Muzeul-Tarii-Crisurilor-cca-1981-1982-150x150.jpg 150w, https:\/\/muresan.galhosting.com\/wp-content\/uploads\/2022\/04\/Muresan-Ioan-Compozitie-peisaj-pamant-Muzeul-Tarii-Crisurilor-cca-1981-1982-100x100.jpg 100w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a>\n\t\t\t<\/dt><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-6200115 elementor-widget elementor-widget-text-editor\" data-id=\"6200115\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p class=\"Default\"><span style=\"font-size: 13.0pt;\">\u201dInformal, action painting is not a common practice in the current landscape of the Romanian visual arts. The existential experience it is predicated upon, by its very limitation, does not align with the operating data of the balanced autochthonous meaning of the visual. Its informal experience, although initially inseparable from the existential and ideological motivation, is nevertheless an achievement already attained and outdated. We could say that, in the Romanian space, the informal experience is appropriated and likely to be appropriated based on the expressionist, but also impressionist associations it evokes, which make it is assimilable to the local stylistic structures. <\/span><\/p><p class=\"Default\"><span style=\"font-size: 13.0pt;\">From the older series of Masks to the more recent one of Earths, Ioan Aurel Mure\u0219an is the compelling proof of an evolution that demonstrates not only the graduation of the informal course, with all its illimitations and limitations, but also a personal solution for its eventual surmounting.<\/span><\/p><p class=\"Default\"><span style=\"font-size: 13.0pt;\">In the case of the young painter, everything is still happening inside the confines of figuration: the total annihilation of the image doesn\u2019t take place, it is not possible. The image, as ultimate presence, which insists on the experience in action of the painterly gesture, remains an active principle of these artworks. But by overcoming the mere consumption in the act itself, the painting doesn\u2019t draw from here a negativity of communication, but a principle of fervor and maximum intensity, the illusion of a complete liberation, of an absolute purity of the painterly gesture. As instant crystallization of an inner burning, without any determinations and deformations, the painterly gesture counters however the complete informal indetermination with the presence of a form, be it vague and indistinct, a pretext for both the eruption of the gesture and its coalescence from nothingness. <\/span><\/p><p class=\"Default\"><span style=\"font-size: 13.0pt;\">Equating the image with the technique of the gesture triggered by it results not in the refusal of formulating a sense, a form \u201cforeign\u201d to the pure painterly gesture, but in a more direct line of knowledge, exploration, and assumption of the very painterly materiality, stimulating and freeing its inherent expressivity \u2013 a more pure, more direct form of reaching the physical, ontic substrate of the visual experience. <\/span><\/p><p class=\"Default\"><span style=\"font-size: 13.0pt;\">These images never simply reproduce the \u201cmatter\u201d as such, its emergency and its opaque, suffocating, irrefutable aggressivity; they never get stuck in the amorphous and absolute vague of it. There must have been an earlier moment in the experience of the artist, the moment of pleasure and dread of merging with the matter, of blending in, a moment that we can only guess from the freedom let, at times, out of full control, the occasionally facile, yet \u201cbeautiful\u201d expressivity of the first series. Warding off the danger of an art \u201cwithout images\u201d, this \u201cpassive\u201d genesis (to let yourself being expressed by the expressivity of the matter itself) is constantly countered by an active genesis \u2013 the immersion in the informal plasma of the generic materiality is followed by the coming to shore, by the clotting of the face, by the solid ground of the form.<\/span><\/p><p>And so, the titles of the series disclose themselves by no means accidentally. From \u201cmasks\u201d \u2013 to remain in the inherent sufficiency of the colored \u201ctrace\u201d, of the painterly gesture as such, in the vague indetermination of materiality as a screen of the essential \u2013 the young artist arrives necessarily to \u201cearths\u201d. The subsumed vagueness, the easiness of the pure expression confined to the rigor of spatial ordering \u2013 and the matter starts clotting, keeping untainted the tactility of the presence, takes on a face and a sense, not at all accidental.<\/p><p>Inevitably humanized, bounded again to form, significance, and time, impregnated with a subjectivity simultaneously individual and vast, it becomes therefore memory\u2026\u201d<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-e1cc40d elementor-widget elementor-widget-text-editor\" data-id=\"e1cc40d\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p>Magda C\u00e2rneci<\/p><p>(Presentation text for the exhibition <strong><em>Ioan Mure\u0219an: Painting<\/em><\/strong>Atelier 35 Hall, Orizont Galleries, Bucharest, March 1984)<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"<p>\u201eDe la ciclul mai vechi al \u201eM\u0103\u0219tilor\u201d, la cel recent al \u201eP\u0103m\u00e2ntului\u201d, Ioan Mure\u0219an face dovada conving\u0103toare a unei evolu\u021bii ce m\u0103rturise\u0219te nu doar parcurgerea lec\u021biei informale, cu dezlimit\u0103rile \u0219i limit\u0103rile sale, dar \u0219i o solu\u021bie personal\u0103 de dep\u0103\u0219ire posibil\u0103 a acesteia\u201d (vezi mai jos). \u201eGestualismul, informalul, nu constituie o tentativ\u0103 curent\u0103 \u00een c\u00e2mpul plasticit\u0103\u021bii [&hellip;]<\/p>","protected":false},"author":1,"featured_media":0,"parent":135,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_mi_skip_tracking":false},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v18.5.1 - 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